With a 5.1 dubbing theatre, sound editorial rooms, and vast sound effects and music libraries at our fingertips, we can create the perfect sound design for every project. Our studios are equipped with the latest Pro Tools HDX systems, all running off shared Avid storage to allow seamless collaboration across the facility. We are equipped to record voiceover, ADR, loop group, and foley, with remote recording and review via Source Connect and Skype.
Our multi award winning sound team have worked with some of the most respected broadcasters and producers in the world, including the BBC, Discovery, National Geographic and Sony’s Left Bank Pictures.
We craft intricate cinematic soundtracks with the closest collaboration on narrative and creative thinking. Whether it’s a standalone mix or working alongside our Picture Finishing department, we have streamlined workflows and exceptional talent to deliver the highest quality mix in a relaxed environment.
Our home in Glasgow: a beautiful old Edwardian school building, just minutes away from the creative hub of Pacific Quay, offering plenty of free parking whilst also being easily accessible from Kinning Park subway station.
Our Post Production Managers are on hand to chat about our bespoke post production services and how we can help with your project. Get in touch!
Every suite is air-conditioned and features a gorgeous bespoke wooden desk from GalGael, a social enterprise in Govan that provides learning experiences in woodwork for those whose lives have been affected by problems such as worklessness, depression or addiction. All our editor’s chairs are Herman Miller Aeron series, providing the right support for long periods of sitting. And last but not least- comfy sofas and armchairs, plus a lot of McCoo-shions from Scottish artist Steven Brown.
Avid Media Composer is our standard throughout, and we can provide Adobe Premiere and Final Cut Pro if desired. All the suites are connected to Avid NEXIS shared storage and Avid Interplay/MediaCentral, so your whole team, whether inside the building or working remotely, can collaborate without bottlenecks. This is further complimented by our 1Gb fibre internet connection, with both power and second-line redundancy, and UPS batteries in every suite, protecting your project from any power disruptions.
The facility is equipped with professional Genelec audio monitoring throughout, and each individual room has been treated acoustically by our friends at Savalas Sound, ensuring audio clarity throughout editorial.
We’ve invested in Sony TRIMASTER EL™ OLED displays in our principle offline and finishing suites, and ensure they’re calibrated regularly by a Sony Engineer. This means Editors are reviewing their pictures on a quality broadcast monitor, noticing the issues that require action early. It means Directors start day one in the Grade looking at the same pictures they’ve looked at for weeks in the edit suite, avoiding unexpected fixes that drain creative time. And it means cinematographers can trust that, as the dailies leave set, everyone down the line is seeing them as they were meant to be seen.